Sarah Nooter writes about Greek poetry and its modern receptions, especially about questions of language, sound, voice, embodiment, and performance. She is the author of When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy (2012), The Mortal Voice in the Tragedies of Aeschylus ( 2017), and Greek Poetry in the Age of Ephemerality (2023). She is co-editor of Sound and the Ancient Senses (Routledge, 2018) and Radical Formalisms: Reading, Theory, and the Boundaries of the Classical (Bloomsbury, 2024), and is the Editor-in-Chief of the journal Classical Philology. Nooter also has a volume of translation forthcoming from Princeton University Press entitled How to Be Queer: An Ancient Guide to Sexuality. She is Professor in the Department of Classics and the Program in Theater and Performance Studies and the College at the University of Chicago.